Artist Resources, Grants for Artists, Creative Projects, Making Money for Artists

Hold up. Gig work is work? We know this news may come as a shock to some readers. Unless you’re an artist, in which case you are intimately familiar with the hidden costs, expectations, and contradictions of 1099 work. Like many other unacceptable realities of American living, the financial precarity of gig workers has been normalized in day-to-day life and entrenched in our laws. But there are growing networks of people working to change this reality and offering promising visions for the future of gig work for artists. We’re here to bolster 1099 arts workers with a bundle of statistics, a not-so-secret stash of resources, and a heaping spoonful of hope:

Hold up. Gig work is work? We know this news may come as a shock to some readers. Unless you’re an artist, in which case you are intimately familiar with the hidden costs, expectations, and contradictions of 1099 work. Like many other unacceptable realities of American living, the financial precarity of gig workers has been normalized in day-to-day life and entrenched in our laws. But there are growing networks of people working to change this reality and offering promising visions for the future of gig work for artists. We’re here to bolster 1099 arts workers with a bundle of statistics, a not-so-secret stash of resources, and a heaping spoonful of hope:

Simone Alexander is the Producing Artistic Director of New Manifest Theatre, a contemporary theatre production company dedicated to reflecting the collective human experience through inclusive storytelling. New Manifest Theatre has been a fiscally-sponsored project of Fractured Atlas since 2018 and is based in Austin, Texas. Simone talked to us about good friday, New Manifest Theatre’s latest production, and the process involved in bringing the story to the stage.

Theresa Koon is the creator of “Mother of Exiles,” a choral project committed to motivating people to discuss and address the complexities of immigration in America. Theresa is based in Portland, Oregon and became a member of Fractured Atlas last year in her efforts to raise the funding necessary to bring her project to life. She hopes that “Mother of Exiles” will ultimately be performed by choirs around the world and used as an anthem for organizations and campaigns that seek to support asylum seekers.

Andrew Purchin is the founder of The Curious Project, a series of visual art installations designed to confront and explore individuals' political and ideological differences. The project has taken place at various locations and events across the country, including the 2016 Republican and Democratic National Conventions. In 2018 it was installed during the 2020 Santa Cruz County elections and will be in five swing states in the months leading up to this year's presidential election. Andrew is based in Santa Cruz, California and has been a member of Fractured Atlas for four years.

Last year I met Kristina Wong in Chicago at Fractured Atlas' Artist Campaign School, a program that offers trainings for artists and arts administrators interested in running for political office. Kristina is a comedian, performance artist, and actor currently serving as an elected representative of the Wilshire Center Sub-District 5 Koreatown Neighborhood Council in Los Angeles, California. Created to engage and educate young people in civic participation, "Radical Cram School" recently launched its second season. Kristina took the time to share some insight into her journey and the process for bringing the web series to life.

Merce, The Series, created by Fractured Atlas member organization Skipping Boyz Productions, was produced to create an entertaining web series that combats the stigma against HIV. The series shows the life of a person living with the illness who isn’t sad, sick, or dying. Through music, love, and laughs, Merce, The Series hopes to prove that “Life Can Be Positive When You’re Positive.” Skipping Boyz Productions has been a member of Fractured Atlas since 2014 and is based in New York City. Tyne Firmin, Producer and Director of Merce, The Series shared some of their process with us on bringing the web series to life.

In October 2016, Fractured Atlas presented its commitment to anti-racism/anti-oppression. Specifically, As part of Fractured Atlas’s commitment to supporting individual artists and the arts sector overall in firmly planting themselves in justice, we are especially committed to ensuring that our environment, and those created by our member artists, are welcoming to all individuals, regardless of race and ethnicity, gender, sexual orientation, and disability, or any other bias that may present itself. Each day we are working, to paraphrase Mr. Baldwin, to dismiss the vocabulary we have hidden behind for so very long. [Emphasis added.]

Photo by LinkedIn Sales Navigator on Unsplash It’s easy to think that, thanks to the Internet, our services are 100% accessible, but that’s just not the case. The D/deaf and hard-of-hearing community are still underserved by online video and audio providers, and many websites are still not friendly to screen readers used by people who are blind or low vision. There are still a variety of barriers to using Fractured Atlas’s services, but we’re working on it, and thanks to our time during All Hands and our work with Equity Quotient, we’re growing our understanding and implementation of access.

As part of our commitment to anti-racism and anti-oppression, Fractured Atlas has been hosting race-based caucuses since late 2016. Each space serves a unique role in our work. We’re sharing our experiences in the hopes that more organizations will implement the practice.