Kelly Ashton Todd is a director, choreographer, and environmental activist based in Brooklyn, New York. She has been a member of Fractured Atlas for almost two years and her fiscally-sponsored project, Under Review, is an environmental dance film series that has been shot at various American National Parks and Monuments. By drawing attention to public lands that are threatened to be opened for industrial development, the series aims to promote the protection of America’s disappearing wilderness.
Rha Goddess is an entrepreneurial coach and serves as founder of Move the Crowd, a company committed to the professional development of artists and the transformation of “the culture of capitalism.” She has been a member of Fractured Atlas since 2011 and is based between New Jersey and Los Angeles.
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Julia Barry with co-organizers Rev. Adriene Thorne, Dusty Francis, and Dionne McClain-Freeney Julia Barry, along with co-organizers Rev. Adriene Thorne, Dusty Francis, and Dionne McClain-Freeney, is the creator of “Habitat: Home,” a nationwide community-building project powered by art. Through collaborative making and multidisciplinary performances about ‘home,’ artists and residents across America work toward a more peaceful, healthy country. Julia is based in Brooklyn, New York and has been a Fractured Atlas member for almost a year.
Alice is a light skinned multi-racial woman with brown, yellow and copper streaks in her curly hair. She smiles and gazes at the camera. A necklace of Autumn colored beads sits around her neck. Photo by Beverlie Lord Alice Sheppard is founder of Kinetic Light, an organization working in the disciplines of art, design, architecture, and social justice, that creates, performs, and teaches at the intersections of disability, dance, and race. Their work seeks to showcase freedom of movement as a pathway for others to understand how mobility is fundamental to participation in civic life and to our understanding of American national identity. Alice became a member of Fractured Atlas in July 2016 and is based in Los Altos, California and New York City.
Toni Morrison speaking at “A Tribute to Chinua Achebe — 50 Years Anniversary of ‘Things Fall Apart’”. The Town Hall, New York City, February 26th, 2008 It is almost impossible to explain the impact of a phenomenon like Toni Morrison. It is infinitely more impossible for me to explain, as a Black woman and artist, what it means to lose her less than a year after losing Ntozake Shange. I have more feelings than language and have asked my colleagues at Fractured Atlas to help me honor a great by sharing their reflections of her persona, words, and work.
Everyone should plan for making money with their art. A plan allows you to know which opportunities are worth your effort. Photo credit: The Gender Spectrum Collection https://broadlygenderphotos.vice.com/guidelines One of the most frustrating things about making art is figuring out how to finance making said art. What does it even mean to “make money as an artist”? What is fundraising? How do I get paid? This guide will walk you through what it means to make money as an artist and give you some tips on how to get started. We’re going to go step-by-step so you can develop a money-making plan.
by Molaundo Jones, Social Media Specialist at Fractured Atlas Eva Steinmetz, co-creator of “The Boy Project” Eva Steinmetz is co-creator of “The Boy Project,” a theater piece in which Philadelphia boys ages 12–15 imagine their futures as men. Eva is based in Philadelphia and has been a member of Fractured Atlas since November 2017. “The Boy Project” currently has a fundraising campaign running on our crowdfunding site, Fundraising by Fractured Atlas.
Stewart Wilson, creator of Personaland, in a Motion Capture suit (for CGI) Stewart Wilson is creator of “Personaland,” an online global community that is dedicated to supporting artists of all media. “Personaland” is hosted by “the Personas,” a collection of over 31,000 individual digital sculptures designed by Stewart. He was inspired to create “Personaland” through a chance meeting at Artwell with game designer, Kwame Antwi. Using 21st century digital technologies, “the Personas” have come alive in their world and can interact with an international community.
Are you an artist or creative looking to execute a project? Has someone told you that you or your arts organization should be fiscally-sponsored? Are you curious about “physical sponsorship”? Does fiscal sponsorship make you a nonprofit? What even is fiscal sponsorship and why is it relevant for artists?
by Molaundo Jones, Social Media Specialist at Fractured Atlas A group photo of members of NACHMO Sharyn Korey and Anna Brown Massey are the founders of NACHMO (National Choreography Month), an annual choreography challenge that spurs choreographers, dancers, and movement enthusiasts across the US to create new dance work each January. NACHMO has been a fiscally-sponsored project of Fractured Atlas for 5 years. While their programming is primarily based out of New York, NACHMO has hubs in cities including Boston, Chicago, Kansas City, Lafayette, New Jersey, Pittsburgh, San Diego, and Washington, DC. In 2019, NACHMO also went international, with their first NACHMO community outside of the USA in Australia.