Artist Resources, Grants for Artists, Creative Projects, Making Money for Artists

I know it feels like we’re barely settling into fall, but the end of the year is right around the corner. For artists and arts organizations from independent theater producers to the Met, we’re all entering into a major time for fundraising in the calendar year.

It’s hard for emerging, ambitious, experimental artists to book their first shows in a competitive arts environment like New York City. The founders of Brooklyn-based Exponential Festival have been working since 2016 to change that. Founder and Artistic Director Theresa Buchheister and Producing Director Nic Adams, along with the rest of the Exponential Festival team, are gearing up for an ambitious multi-venue, multi-artist extravaganza in January with a crowdfunding campaign that ends on November 3.  

Every month, Fractured Atlas provides a list of upcoming grants and opportunities for artists and arts-based projects so that you can discover more opportunities to get financial support and other resources for your work. As a fiscal sponsor of over 3,000 artistic projects, we provide access to grants for artists in every discipline.

Mission statements are powerful tools for artists, arts organizations, or any group of people looking to have an impact with the work that they do. In one or two sentences, a mission statement can help you clarify the effect that you want your work to have for yourself, for your audience, and for donors. Missions statements are used to help others understand why you do what you do rather than what exactly it is that you do. Mission statements are about the “why” instead of the “how” or the “what.”

When you fundraise, you are asking people to donate whatever they have the capacity to offer and what they feel compelled to give to support your work. Donation tiers give a structure to that ask.

Social media can be tricky for all of us. Should you use it as a way to show yourself in the best possible light or use it as a way to be authentically vulnerable with the people who are in your network? Should you use it as a platform to talk about social and political issues or is that just virtue signaling? How do you modulate between the nice dopamine hit you get when you get a “like” and the negative feelings you might experience seeing people whose social media presences make them seem blissfully successful and happy? 

One of the biggest challenges for sex workers and adult content creators today, in addition to the threat of violence on the job (including from law enforcement) is that the online platforms where they work could kick them off at any time. Online adult content is a massive industry worth $800 million. The workers who generate that content are at the whim of companies and platforms who both extract profit from their work and then make decisions about their operating terms that often harm the sex workers who have created the value for them in the first place. 

The word “toxic” has been having a big few years. It was chosen as the Oxford Word of the Year in 2018 and, honestly, it’s still going strong. It is applicable to personal relationships, environmental collapse, and, of course, workplaces. With the fallout from COVID, the rapid shift to remote working, and an unsteady implementation of hybrid working, everyone is thinking about their workplaces more and more. Are they especially brutal? Are they supportive? Do they let us live dignified lives? One framework for thinking through particularly bad workplaces is the concept of a toxic workplace. But what does that phrase really mean? And why does it matter to define it carefully? 

Raffles are a time-honored way for artists to raise funds. With a raffle, you solicit small donations in the form of “tickets” or entries to the raffle. Then, you randomly choose a winner to receive the prize. 

Not all fundraising looks or functions the same way. Fundraising for different kinds of projects or in different fields will often adhere to specific norms, modes, and strategies.