It is impossible to ignore the magnitude of need for financial support locally, regionally, and globally. People are finding it harder and harder to access the resources they need to create art, to live a dignified life, and to even secure basics like food and housing. Because of this, there are lots of different individuals, groups, and organizations who are working to get money to people who need it.

As you apply to jobs and interview for them, there are plenty of red flags that can let you know that a workplace isn’t healthy. I can start with just the ones I have personally experienced.

Every month, Fractured Atlas provides a list of upcoming grant opportunities for artists and arts-based projects so that you can discover more opportunities to get financial support for your work. As a fiscal sponsor of 4000+ artistic projects, we provide access to grants for artists in every discipline.

As an artist, you are always working with other people. You might be working collaboratively to put on a performance or create an interactive installation. You might hire a freelancer or work as a freelancer. But even if your work doesn’t appear to be collaborative, you are probably still working with other people. You might rent a studio or performance space or work with a retail location or gallery. For example, my work as a ceramicist is very independent in terms of the creative process, but I still am a member of a shared studio space and sell my work at a neighborhood shop.

Lowell, Massachusetts only has one professional orchestra. Founded by Orlando Cela, who serves as its music director, the Lowell Chamber Orchestra “provides the area with an ensemble that presents music at a very high level, of all styles and time periods, entirely free to the general population.”

For many artists, fundraising is the way that you get your work financially supported. Through strategies like crowdfunding campaigns, grant applications, membership drives, and end-of-year appeals, fundraising can help you secure the financial resources to realize your creative vision. While fundraising isn’t the only way for artists to bring in funding, it can be an important part of your life as a working creative.

In the face of economic uncertainty, the ravages of the gig economy, layoffs and closures related to the pandemic, and to overall austerity related to the arts and culture sector, artists need better economies. We need ways to build sustainable creative practices, to really own the value of our labor, and to build collective power. We need better ways to make a living as an artist beyond the uncertainty of freelancing and the constant need to fundraise and write grants.

Michaela Ternasky-Holland is proudly multi-hyphenate in her interests and her career. She is a creative strategist, consultant, dancer, documentarian, public speaker, and storyteller. Currently, she is working with Mixed Asian Media Festival to present a wide-ranging collection of work made by and about mixed Asian creators.

Right now, we are in the long process of starting to reopen the world after so much of it abruptly shut down in March of last year. There is a lot to be excited for and joyful about. People are increasingly able to safely see loved ones, hug one another, and gather together in meaningful ways. But reopening is also complicated. We’ve entered a new kind of gray area in terms of what is legally allowed, what feels ethical, what feels safe, what feels good, and what our responsibilities to one another look like.

Since 2012, MIPSTERZ has been a home for Muslim artists and creators. The initial group formed during Ramadan, realizing that if the different groups of Muslims breaking fast every day were grouped into cliques like a high school cafeteria, they didn’t quite fit in with the yuppies, the investment bankers, or anyone else. They belonged with each other and started to jokingly refer to themselves as the Muslim hipsters.