by Molaundo Jones, Social Media Specialist at Fractured Atlas André M. Zachery is the artistic director of Renegade Performance Group (RPG), a Brooklyn-based dance company. RPG has been a member of Fractured Atlas since September 2009.

From time to time, we feature a fiscally sponsored project who has been successful at using our program to advance their art/cause/career. Today, we’re featuring Lynne Childress of Building Better People. First off, tell us a bit about Building Better People. Who are you? What is your mission? Who would you consider to be your primary audience? Building Better People Productions is a professional theater company for young audiences based in Annapolis, Maryland. Our mission is to produce theater and classes that promote empathy, understanding, and kindness to kids and their families, and encourage the best in all humans. That’s where the name “Building Better People” comes from: we think that teaching character development helps make all of us better, from the ground up. Everything we do is geared towards kids and also their families. We do shows for the public, as well as shows that tour schools.

by Colleen Hughes, Program Associate at Fractured Atlas After November 8, 2016, there were a lot of feelings circulating through the American arts sector: fear, confusion, anger, disappointment, sadness, lostness. Many people, myself included, were asking, “Where does my art and my identity as an artist fit into a USA run by our 45th president?” Well, luckily, Beth Pickens’s newest book, Your Art Will Save Your Life, is here to answer that question. I first discovered Pickens when I heard about her FREE Making Art During Fascism pamphlet, and once I learned of her book, I knew it would be an impactful one. Pickens is part counselor, part consultant for artists in Los Angeles. She began working on Your Art Will Save Your Life after November 8, 2016, as a way to support and encourage artists to keep doing what we do best: make art!

Twenty years ago, most thriving small businesses and nonprofits had one fabulous public relations person, one techie sorting out what emails and websites were all about, and one executive director who could solicit fundraising dollars by hosting a cocktail event. Fast forward to 2018, and everything is about real time, instant gratification and, more importantly, appreciation. Fractured Atlas has partnered with JMT Media to learn more about how for-profit entities can connect with the nonprofit sectors through visibility, partnerships, and strategic outreach.

Individual donor prospecting can be as easy as getting better acquainted with people you already know. Fundraising to support your work as an artist can be intimidating, especially if you’re thinking strictly in terms of who you know and whether you’re comfortable asking them for money (or in some cases, asking them for money yet again). But the truth is that you can do it! For decades, individual artists have raised the funds to make their careers as artists, and if you think and talk about yourself as a professional, we believe that you can, too. Of course, there are some best practices to consider as you formulate your plan for ensuring that you can sustainably bring your art to your community now and in the future.

When preparing a grant application, it can seem counterintuitive to think of the funder you’re applying to as a resource. However, no one can answer questions about an application better than the institution that made it! Calling the funder is one of the most effective tools in your grant-writing toolbox.

Back in September, we looked at some of the key principles of Ciara Pressler’s Game Plan. Pressler suggested that a good game plan must be measurable, because “if you can’t track it, you won’t hack it.” But what does it mean to have a measurable game plan?

Attention artists and arts organizations across New York State: the New York State Council on the Arts (NYSCA) has posted guidelines for its 2019 funding cycle! Before I share Fractured Atlas’s timeline, let’s go over some important details about the application process and eligibility: The application is made up of three major parts: 1) a Sponsored Request Form (SRF), 2) Grants Gateway project and budget information, and 3) supporting materials. Fractured Atlas must submit all documents on behalf of our fiscally sponsored projects through our own Grants Gateway portal, so we appreciate you adhering to our internal timeline to give us time to review your materials thoroughly and submit them on your behalf. Due to the volume of requests we handle every year, Fractured Atlas fiscally sponsored projects will only be permitted to submit one application (regardless of NSYCA’s two-request limit). If you applied in the Individual Artist category (IND) last year, you must sit out this year. Your grant application must be for activities that take place between January 1 — December 31, 2019. Applying for a NYSCA grant is a multi-step process.

If you haven’t yet heard of Void Academy, we’re excited to make the introduction. Void Academy strives to make an impact in the art world by providing free and affordable resources to help artists sustainably fund their work and make a living. Their first free online course Fundamentals of Crowdfunding offers insights into the history of crowdfunding, how to set yourself up for success before you launch a campaign, and more. It is a valuable guide for any artist looking to use crowdfunding as a tool to fund their work. (And keep reading to learn how Fractured Atlas members can access other Void Academy courses at discounted rates.)

The Education/Experience Proxy is what I call the phrase organizations include near the end of their job postings: “High School Diploma Required,” “Bachelor Degree Required,” or “Masters Degree Preferred.” Please nix it. It’s a lazy proxy used to approximate experience or ability that’s making it harder for otherwise talented people to be a part of your candidate pool. It neglects people who learn differently, or have different life experience, from being considered for positions.