Artist Resources, Grants for Artists, Creative Projects, Making Money for Artists

Reader, is there anything more painful than driving over a jagged pothole? The crunch of your spine, the desperate prayers for your car’s suspension and steering, and of course, a profound shame for not avoiding the pothole in the first place. Now imagine driving down a beat up backroad, no streetlights, with nothing to guide you and your poor steed to safety except your murky intuition. This is how a lot of us go into the grant application process — vaguely uneasy, completely lost, and proceeding valiantly into a mysterious void (i.e. the review panel). But what if you had a cheat sheet, a map, with every pitfall illuminated by bright, flashing warning signs?

Whether you’re new to the big wide world of arts funding or an (understandably) jaded expert, it can be hard to understand why grants exist, who funds them, what you can use them for, where to find them, and how to (hopefully) win one. It breaks our hearts when artists come to us feeling confused, lost, or misled when it comes to grant funding. Let this article be a snarky, shining lighthouse in these unnecessarily murky waters.

Imagine a scientist working on a new, cutting-edge technology. When you picture her, she’s probably working in a research lab or at a university, right? Despite all the shows and movies that suggest otherwise, scientists don’t work in their basements — they work within institutions, because it opens up funding avenues for their projects. It might shock you to hear that similar, tax-exempt funding avenues exist for artists. If a project you’re working on 1) is artistic and 2) has a public benefit, you could use fiscal sponsorship to apply for funding from corporations and foundations, collect tax-deductible donations, and access nonprofit discounts. Let’s get into it.

Springtime is all around us, and we have some exciting, seasonally appropriate news here at Fractured Atlas. Tanya Birl-Torres and Alexis Frasz have joined the Fractured Atlas board and are already bringing a blooming energy to our organization’s work. Tanya’s and Alexis' expertise and passion for building better worlds for artists shines through this interview — give it a listen, and let us know what questions you have for Tanya and Alexis in the comments 💬

It’s no small feat to hold the anxiety, worry, and fear that comes from living through these turbulent times, while also having to continue working our jobs, doing laundry, and finding joy where we can. With the U.S. presidential election tomorrow, these feelings may be heightened, as the country and the world prepares to face another unknown. It’s likely that we’ll be in a similar position as the 2020 election, where we won’t know the results until well after election day. And no matter the result, we may be in for a tense few months.

It may still be summer, but fall's around the corner and we have exciting news here at Fractured Atlas. The entire team will be convening in the Twin Cities — Minneapolis and Saint Paul — from Monday, September 23rd to Friday, September 27th. It will be the first time many staff members meet each other in person, and there's a fun public event in the works, too. Give this interview a read (or listen!) to get the full scoop.

Whether you’re an individual artist or budding young arts collective, googling “artist grants” will only get you so far, friend. Most of us are aware that grants and other funding opportunities exist, but don’t know where to find them or how to cultivate a sustainable research routine. It takes quite a bit of open-minded foraging, disciplined hunting, and genuine community building to keep your application plate full of real, feasible opportunities, rather than expensive busy work. Like a grizzly bear posting up at a bend in the river in anticipation of salmon season, or filter-feeding barnacles that grab tasty stuff as it floats by, there are plenty of different tools and strategies to choose from when you’re developing your own, personal approach to discovering new funding opportunities.

For creative people, text boxes with harsh word limits (or god forbid, character limits) are public enemy no.1. Distilling a deeply personal, evolving artistic journey into a few hundred characters can feel like an emotional and creative abyss—one that you can easily pour hours into with unsatisfying results. From our point of view (as a fiscal sponsor for artists that reviews thousands of grant applications per year), we have a few (humble) recommendations for making the writing process more fulfilling and framing your work to resonate with potential funders.

Fractured Atlas is no stranger to change. Over the past two plus decades of working as a nonprofit arts service organization, Fractured Atlas has embraced the inevitable ebbs and flows of what it means to be part of a living, breathing arts ecosystem. Today, we’re excited to share some transitions that are underway at the board level. In October, Board Chair Russell Willis Taylor completed her service and the Fractured Atlas Board selected Andrew Taylor to help steward the organization’s next chapter. We talked with them about what the work has meant, field-wide trends on board relations, and the fluid shape of organizational resiliency.

This past summer, the Fractured Atlas ecosystem welcomed Alberto Mejia as our organization’s new Chief Operating Officer. As the confetti settled, it was time to sit down and chat expansively with Alberto. He shares his personal definitions of artist support and solidarity, his hopes for the creative economy, and how fiscal sponsorship can fit into this complex puzzle. We hope you enjoy Alberto’s colorful window into Fractured Atlas’s work.