In our final installment of our interview series with 3D printing industry leaders leading up to #3DDC2016, we talk to Teresa Sappington, Albert Einstein Distinguished Educator Fellow. Teresa is a high school engineering teacher from Lamar County Center for Technical Education in Purvis, MS. She is sponsored by the Department of Energy’s Office of Science and currently serves as a Congressional Fellow on Capitol Hill with Congressman Mark Takano’s office since the fall of 2015.

Courtney Duffy, our Robert W. Deutsch Arts & Technology Policy Fellow, is spearheading 3D/DC, the fifth annual 3D printing policy event sponsored by our friends at Public Knowledge which is scheduled to take place on Capitol Hill on April 14. For additional event details and to RSVP, click here. You can find the other posts in our 3D/DC 2016 blog series here, here,here, and here.

For the past several months, some of our staff have been hard at work with our friends over at Createquity, to bring you something new. The result is the Createquity podcast!

This week we announced the details of 3D/DC 2016, an annual 3D printing policy event on Capitol Hill that is put on by our friends at Public Knowledge and the Congressional Maker Caucus. Our Robert W. Deutsch Arts & Technology Policy Fellow Courtney Duffy, who is running the event this year, recently interviewed the man who started it all: Michael Weinberg. The post below was originally featured here on the Public Knowledge blog.

Dangerous Situation of Beagle by G. Gore. Image courtesy of Wikimedia Commons Anyone who happened to view our live stats this February may have noticed that our Insurance Program surpassed 15,000 bound policies. This is a huge leap from when the program began to offer property and casualty options in 2007. At the time, Fractured Atlas was in many ways steering into uncharted waters. While a handful of intrepid brokers and carriers were providing insurance programs, most options were tailored for established arts companies and organizations with substantial budgets. Even though artists needed insurance policies to fulfill contracts, pursue grants, and cover their own equipment and artwork, there wasn’t really an accessible insurance option for the broader artistic community.

This past year saw new paradigms for defining entrepreneurship in the arts and culture sector, and we had an amazing group of nominees. We are excited to honor these five organizations whose experimentation and innovation in the field truly stood out. By creatively leveraging the intersection between technology and the arts, giving voice to social justice issues, and creating revolutionary transparency around budgeting, these organizations are each in their own way using cutting edge solutions to deliver their messages.

Courtney Duffy continues the #CopyrightWithCourtney blog series with a post on a recent advocacy visit to DC by a Fractured Atlas member. You’ll find additional posts in the series here, and join the conversation with Courtney on Twitter @cduffy90.

A pathway for confronting the cultural sector’s challenges The health of the cultural sector, and its ability to be creative, innovative, and resilient depends on the quality and skills of the people working for our organizations. In order for our sector to remain vibrant and relevant, we need to continually develop and leverage the skills our people possess.

by Courtney Duffy, Robert W. Deutsch Arts & Technology Policy Fellow at Fractured Atlas Courtney Duffy, our Robert W. Deutsch Arts & Technology Policy Fellow, has an update on the results of our advocacy in opposition to proposed changes at the IRS that would have dramatically complicated the way nonprofits accept gifts from donors.

Courtney Duffy, our Robert W. Deutsch Arts & Technology Policy fellow, has the lowdown on education legislation which includes several arts-related provisions and was signed into law by President Obama last week. If you have any thoughts or questions, feel free to drop her a line by email (Courtney Duffy@fracturedatlas.org), on Twitter @cduffy90, or in the post’s comment section.