In a world where our time and attention are continually mined as a resource, reclaiming your focus and directing it towards creative work is nothing short of a revolution. But if you’re anything like me, devoting time to your creative work is an ongoing process with perpetually shifting seasons. Some months, you might be on a roll and fall into a nice, smoooooth rhythm: making art before breakfast, chores after dinner, plotting revenge plus resting on the weekend. In my busy bee era, an entire year could fly by with plenty of creative gigs (and all the admin work that they bring)—but seemingly no time left over for a personal, creative practice.

If the overnight popularity of ChatGPT and the following widespread attention on “artificial intelligence” (AI) seemed to come out of nowhere, it’s not as sudden as you may think. This rise belongs to a long lineage of technological developments—including familiar ones like the Internet—that have shaped the course of much of our history. Technology is entangled with our understanding of commodity, capital, and power. As many artists are deeply engaged in interpreting and creating works that address what’s happening across broader society, having nuanced conversations on the impact of AI across all art disciplines is necessary.

Every month, Fractured Atlas provides a list of upcoming grants and opportunities for artists and arts-based projects so that you can discover more opportunities to get financial support and other resources for your work. As a fiscal sponsor of over 3,500 artistic projects, we provide access to grants for artists in every discipline.

If you’re a New York artist or arts organization, we think this article is worth screenshotting, bookmarking, silk screening onto a shirt, or wheat pasting onto your in-laws front door (“my bad, I thought you said you support the arts!”). NYSCA funding veterans already know about the secret season between spring and summer, affectionately dubbed “NYSCA season.” But if you’re new to the block, fear not. From “what even is NYSCA” to “gimme that app deadline,” Fractured Atlas has you covered.

If the internet is like a big, beckoning watering hole, what makes some shores more welcoming than others? You may have noticed the waters becoming choppier this year as big, new players enter the scene—the AI gorilla and a Twitter tarantula, to name a few—raising profound, evolving questions about how we build, cultivate, and engage with online spaces. I decided it was time to sit down with one of the most thoughtful internet builders I know. For the past 12+ years, Laurel Schwulst has brought to life networked tools as a designer, writer, educator, & power user. Currently, she teaches web design at Princeton and directs the Are.na Gift Shop. Here’s a selection of projects she has enjoyed working on:

Hold up. Gig work is work? We know this news may come as a shock to some readers. Unless you’re an artist, in which case you are intimately familiar with the hidden costs, expectations, and contradictions of 1099 work. Like many other unacceptable realities of American living, the financial precarity of gig workers has been normalized in day-to-day life and entrenched in our laws. But there are growing networks of people working to change this reality and offering promising visions for the future of gig work for artists. We’re here to bolster 1099 arts workers with a bundle of statistics, a not-so-secret stash of resources, and a heaping spoonful of hope:

Every month, Fractured Atlas provides a list of upcoming grants and opportunities for artists and arts-based projects so that you can discover more opportunities to get financial support and other resources for your work. As a fiscal sponsor of over 3,500 artistic projects, we provide access to grants for artists in every discipline.

I love getting attention. The only thing that beats getting run-of-the-mill attention is getting attention for my creative work. Thankfully, I’m not alone. Craving attention for your work is a painfully relatable experience for most artists, especially those of us trying to make a living within the attention economy. It can take a lifetime to cultivate a marketing mindset, and the process often raises profound, unanswerable questions about the nature and boundaries of artmaking and attention.

Join Tom Luther and Vicky Blume on a daring, intergalactic quest. The mission? Express Tom’s creative practice in words. Their conversation is the first in a new series of artist interviews called in practice. The series is a collaborative time capsule for the Fractured Atlas ecosystem, creating snapshots in time of our evolving creative journeys. This interview, and all that are to come, will live on Inciter Art—a writing, co-learning, and resource sharing space for creatives with big ideas and bigger questions.

For this iteration of “Seeding Collaborations,” we expanded our ecosystem to the Netherlands where we spoke with Luke Cohlen and Marianna Takou from Casco Art Institute: Working for the Commons (Casco). Casco is an arts organization located in Utrecht, Netherlands, where they are exploring and practicing where the arts and the commons meet. As defined by Casco, the commons is where “the natural and cultural resources [is] held in common by a community.” In this interview, Cohlen and Takou offer insights into Casco’s approach to working for the commons and systems change. As an art institution that presents artists’ works, they are also tackling the other side of an art practice, and how we can actually support artists, whether it’s financially or through other types of resource sharing.