Alice is a light skinned multi-racial woman with brown, yellow and copper streaks in her curly hair. She smiles and gazes at the camera. A necklace of Autumn colored beads sits around her neck. Photo by Beverlie Lord Alice Sheppard is founder of Kinetic Light, an organization working in the disciplines of art, design, architecture, and social justice, that creates, performs, and teaches at the intersections of disability, dance, and race. Their work seeks to showcase freedom of movement as a pathway for others to understand how mobility is fundamental to participation in civic life and to our understanding of American national identity. Alice became a member of Fractured Atlas in July 2016 and is based in Los Altos, California and New York City.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas This is part of a series. If you read part one, two, or three, skip the intro and head straight to the interview. At Fractured Atlas, we really love sharing many of the inner workings around how our organization works. By sharing the things that work (or don’t) for us, we hope to help out in making the sector, as a whole, stronger. A few years ago, we shared our How We Work site so that anyone could see how we work at Fractured Atlas. We’ve also shared how our use of OKRs increases transparency, alignment, and accountability (that post even included a free template). We’ve shared updates on our Anti-Racism, Anti-Oppression journey, why we have race-based caucusing, and so many other things.

Mid Atlantic Arts Foundation is accepting applications for USArtists International (USAI). Description: USArtists International supports performances by U.S. artists at important cultural festivals and arts marketplaces around the globe. Committed to the presence of U.S.-based artists on world stages, USArtists International provides grants to ensembles and individual performers in dance, music and theatre invited to perform at significant international festivals and performing arts markets.

Toni Morrison speaking at “A Tribute to Chinua Achebe — 50 Years Anniversary of ‘Things Fall Apart’”. The Town Hall, New York City, February 26th, 2008 It is almost impossible to explain the impact of a phenomenon like Toni Morrison. It is infinitely more impossible for me to explain, as a Black woman and artist, what it means to lose her less than a year after losing Ntozake Shange. I have more feelings than language and have asked my colleagues at Fractured Atlas to help me honor a great by sharing their reflections of her persona, words, and work.

One of the most frustrating things about making art is figuring out how to finance making said art. What does it even mean to “make money as an artist”? What is fundraising? How do I get paid? This guide will walk you through what it means to make money as an artist and give you some tips on how to get started. We’re going to go step-by-step so you can develop a money-making plan.

by Molaundo Jones, Social Media Specialist at Fractured Atlas Eva Steinmetz, co-creator of “The Boy Project” Eva Steinmetz is co-creator of “The Boy Project,” a theater piece in which Philadelphia boys ages 12–15 imagine their futures as men. Eva is based in Philadelphia and has been a member of Fractured Atlas since November 2017. “The Boy Project” currently has a fundraising campaign running on our crowdfunding site, Fundraising by Fractured Atlas.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas This is part of a series. If you read part one or part two, skip the intro and head straight to the interview. At Fractured Atlas, we really love sharing many of the inner workings around how our organization works. By sharing the things that work (or don’t) for us, we hope to help out in making the sector, as a whole, stronger. A few years ago, we shared our How We Work site so that anyone could see how we work at Fractured Atlas. We’ve also shared how our use of OKRs increases transparency, alignment, and accountability (that post even included a free template). We’ve shared updates on our Anti-Racism, Anti-Oppression journey, why we have race-based caucusing, and so many other things.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas This is part two of a series. If you read part one, skip the intro and head straight to the interview.

Stewart Wilson, creator of Personaland, in a Motion Capture suit (for CGI) Stewart Wilson is creator of “Personaland,” an online global community that is dedicated to supporting artists of all media. “Personaland” is hosted by “the Personas,” a collection of over 31,000 individual digital sculptures designed by Stewart. He was inspired to create “Personaland” through a chance meeting at Artwell with game designer, Kwame Antwi. Using 21st century digital technologies, “the Personas” have come alive in their world and can interact with an international community.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas At Fractured Atlas, we really love sharing many of the inner workings around how our organization works. By sharing the things that work (or don’t) for us, we hope to help out in making the sector, as a whole, stronger. A few years ago, we shared our How We Work site so that anyone could see how we work at Fractured Atlas. We’ve also shared how our use of OKRs increases transparency, alignment, and accountability (that post even included a free template). We’ve shared updates on our Anti-Racism, Anti-Oppression journey, why we have race-based caucusing, and so many other things.