In the face of economic uncertainty, the ravages of the gig economy, layoffs and closures related to the pandemic, and to overall austerity related to the arts and culture sector, artists need better economies. We need ways to build sustainable creative practices, to really own the value of our labor, and to build collective power. We need better ways to make a living as an artist beyond the uncertainty of freelancing and the constant need to fundraise and write grants.

Michaela Ternasky-Holland is proudly multi-hyphenate in her interests and her career. She is a creative strategist, consultant, dancer, documentarian, public speaker, and storyteller. Currently, she is working with Mixed Asian Media Festival to present a wide-ranging collection of work made by and about mixed Asian creators.

Right now, we are in the long process of starting to reopen the world after so much of it abruptly shut down in March of last year. There is a lot to be excited for and joyful about. People are increasingly able to safely see loved ones, hug one another, and gather together in meaningful ways. But reopening is also complicated. We’ve entered a new kind of gray area in terms of what is legally allowed, what feels ethical, what feels safe, what feels good, and what our responsibilities to one another look like.

Since 2012, MIPSTERZ has been a home for Muslim artists and creators. The initial group formed during Ramadan, realizing that if the different groups of Muslims breaking fast every day were grouped into cliques like a high school cafeteria, they didn’t quite fit in with the yuppies, the investment bankers, or anyone else. They belonged with each other and started to jokingly refer to themselves as the Muslim hipsters.

Every month, Fractured Atlas provides a list of upcoming grant opportunities for artists and arts-based projects so that you can discover more opportunities to get financial support for your work. As a fiscal sponsor of 4000+ artistic projects, we provide access to grants for artists in every discipline.

For artists, email lists are one of the top ways to stay in touch with your audience and to keep your community engaged with your work. You can use the email addresses you’ve collected to let your community know about upcoming performances, sales, fundraising campaigns, and more.

At Fractured Atlas and on this blog, we talk about money a lot. We cover why it’s hard to talk about money, how artists can raise money, and argue that pay transparency is anti-racist. We cover crowdfunding, grants, and how to improve your chances at succeeding in both of these ventures.

We know most artists don’t dream of managing multiple administrative tasks, juggling deadlines, and delegating work to your team. But, it’s also true that artists need to be able to do that administrative work to realize your visions, especially if they are ambitious, complex, and involve multiple different team members.

Most artists tend to dream of working diligently and purposefully on your art. For many, it’s an unpleasant surprise to realize just how much non-art work has to happen to support your art.

It’s no surprise that people who have been working remotely this past year (or for longer) are sick of Zoom. I’ve been a remote worker for years but it is only this past year that the video face boxes fill me with a deep sense of exhaustion and boredom. For years, Zoom was what I used for work, but now it has to also be what I use to talk to my family and mentor, and to watch movies with my friends.