One of the most frustrating things about making art is figuring out how to finance making said art. What does it even mean to “make money as an artist”? What is fundraising? How do I get paid? This guide will walk you through what it means to make money as an artist and give you some tips on how to get started. We’re going to go step-by-step so you can develop a money-making plan.

by Molaundo Jones, Social Media Specialist at Fractured Atlas Eva Steinmetz, co-creator of “The Boy Project” Eva Steinmetz is co-creator of “The Boy Project,” a theater piece in which Philadelphia boys ages 12–15 imagine their futures as men. Eva is based in Philadelphia and has been a member of Fractured Atlas since November 2017. “The Boy Project” currently has a fundraising campaign running on our crowdfunding site, Fundraising by Fractured Atlas.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas This is part of a series. If you read part one or part two, skip the intro and head straight to the interview. At Fractured Atlas, we really love sharing many of the inner workings around how our organization works. By sharing the things that work (or don’t) for us, we hope to help out in making the sector, as a whole, stronger. A few years ago, we shared our How We Work site so that anyone could see how we work at Fractured Atlas. We’ve also shared how our use of OKRs increases transparency, alignment, and accountability (that post even included a free template). We’ve shared updates on our Anti-Racism, Anti-Oppression journey, why we have race-based caucusing, and so many other things.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas This is part two of a series. If you read part one, skip the intro and head straight to the interview.

Stewart Wilson, creator of Personaland, in a Motion Capture suit (for CGI) Stewart Wilson is creator of “Personaland,” an online global community that is dedicated to supporting artists of all media. “Personaland” is hosted by “the Personas,” a collection of over 31,000 individual digital sculptures designed by Stewart. He was inspired to create “Personaland” through a chance meeting at Artwell with game designer, Kwame Antwi. Using 21st century digital technologies, “the Personas” have come alive in their world and can interact with an international community.

by Nicola Carpenter, Associate Director, People Operations at Fractured Atlas At Fractured Atlas, we really love sharing many of the inner workings around how our organization works. By sharing the things that work (or don’t) for us, we hope to help out in making the sector, as a whole, stronger. A few years ago, we shared our How We Work site so that anyone could see how we work at Fractured Atlas. We’ve also shared how our use of OKRs increases transparency, alignment, and accountability (that post even included a free template). We’ve shared updates on our Anti-Racism, Anti-Oppression journey, why we have race-based caucusing, and so many other things.

Are you an artist or creative looking to execute a project or take your work to the next level? Has someone told you that you or your arts organization should be fiscally sponsored? Are you curious about “physical sponsorship”?

by Molaundo Jones, Social Media Specialist at Fractured Atlas A group photo of members of NACHMO Sharyn Korey and Anna Brown Massey are the founders of NACHMO (National Choreography Month), an annual choreography challenge that spurs choreographers, dancers, and movement enthusiasts across the US to create new dance work each January. NACHMO has been a fiscally-sponsored project of Fractured Atlas for 5 years. While their programming is primarily based out of New York, NACHMO has hubs in cities including Boston, Chicago, Kansas City, Lafayette, New Jersey, Pittsburgh, San Diego, and Washington, DC. In 2019, NACHMO also went international, with their first NACHMO community outside of the USA in Australia.

by Molaundo Jones, Social Media Specialist at Fractured Atlas Nicole DeMaio and members of Black Sheep Contemporary Ensemble Nicole DeMaio is the founder of Black Sheep Contemporary Ensemble, a collaborative project dedicated to performing music by living or recently deceased composers throughout the Greater Boston Area for a variety of audiences. The ensemble accomplishes this through their Four Core Goals: Perform, Collaborate, Commission, and Educate. Over the past four years, the ensemble has worked with visual artists, dancers and choreographers to create new works. Black Sheep Contemporary Ensemble has been a Fractured Atlas member since July 2017.

by Lauren Lattimore, Program Associate at Fractured Atlas The Syndicate is a fiscally-sponsored project who has been successful at using our program to advance their mission. We talked to Megan Paradis Hanley of The Syndicate for our monthly “Meet the Project” interview series. They shared some project developments and how their work has impacted the communities that they serve.