In our final installment of our interview series with 3D printing industry leaders leading up to #3DDC2016, we talk to Teresa Sappington, Albert Einstein Distinguished Educator Fellow. Teresa is a high school engineering teacher from Lamar County Center for Technical Education in Purvis, MS. She is sponsored by the Department of Energy’s Office of Science and currently serves as a Congressional Fellow on Capitol Hill with Congressman Mark Takano’s office since the fall of 2015.

Courtney Duffy, our Robert W. Deutsch Arts & Technology Policy Fellow, is spearheading 3D/DC, the fifth annual 3D printing policy event sponsored by our friends at Public Knowledge which is scheduled to take place on Capitol Hill on April 14. For additional event details and to RSVP, click here. You can find the other posts in our 3D/DC 2016 blog series here, here,here, and here.

For the past several months, some of our staff have been hard at work with our friends over at Createquity, to bring you something new. The result is the Createquity podcast!

This week we announced the details of 3D/DC 2016, an annual 3D printing policy event on Capitol Hill that is put on by our friends at Public Knowledge and the Congressional Maker Caucus. Our Robert W. Deutsch Arts & Technology Policy Fellow Courtney Duffy, who is running the event this year, recently interviewed the man who started it all: Michael Weinberg. The post below was originally featured here on the Public Knowledge blog.

Dangerous Situation of Beagle by G. Gore. Image courtesy of Wikimedia Commons Anyone who happened to view our live stats this February may have noticed that our Insurance Program surpassed 15,000 bound policies. This is a huge leap from when the program began to offer property and casualty options in 2007. At the time, Fractured Atlas was in many ways steering into uncharted waters. While a handful of intrepid brokers and carriers were providing insurance programs, most options were tailored for established arts companies and organizations with substantial budgets. Even though artists needed insurance policies to fulfill contracts, pursue grants, and cover their own equipment and artwork, there wasn’t really an accessible insurance option for the broader artistic community.

Our Arts and Technology Policy Fellow, Courtney Duffy, has the scoop on last week’s court decision that deems Google Books scanning of written works as fair use. You can follow Courtney on Twitter @cduffy90 and join the conversation with #CopyrightwithCourtney.

This post is the first installment in a new blog series from Courtney Duffy, our Robert W. Deutsch Arts & Technology Policy Fellow. In each post, Courtney will look at copyright issues through the lens of a different art form. She begins with the world of authorship. As always, you can find her on Twitter @cduffy90.

Last week the World Intellectual Property Organization celebrated World Intellectual Property Day, an annual event that centers on the role IP can play in cultivating innovation and creativity. With this theme in mind, Courtney Duffy delves into what it means to protect copyright owners without discouraging new works, a balance which has been a struggle for YouTube.

(This is the fourth post in a series on Fractured Atlas’s capacity-building pilot initiative, Fractured Atlas as a Learning Organization. To read more about it, please check out Fractured Atlas as a Learning Organization: An Introduction.)

(This is the third post in a series on Fractured Atlas’s capacity-building pilot initiative, Fractured Atlas as a Learning Organization. To read more about it, please check out Fractured Atlas as a Learning Organization: An Introduction.) I don’t know about you, but I’ve always been a reluctant decision maker. When I go out to eat at a restaurant, I often drive my dinner mates crazy by asking the wait staff for recommendations and then just ordering what I was thinking about getting anyway. In high school, I used to agonize over what now seem like trivial choices like what topic I should choose for my English papers. Perhaps that’s why I’m so drawn to the science of decision-making.