Arts, Technology, and Business Stories to Watch by Fractured Atlas Every week, we find the most interesting and important stories at the intersection of the Arts, technology, and business and share them with you. (If you’d like to get these in your e-mail inbox you can subscribe to here).

This May, Fractured Atlas had the opportunity to bring together the 2016 Arts Entrepreneurship Awards honorees in New York City. The event, Creative to the Core, celebrated the work of five organizations who are pushing the boundaries of conventional business practice in the arts. Representatives from each organization engaged in an insightful panel discussion about what it takes to bring innovative approaches to their arts businesses and their visions for the future of the field.

Each month we feature one of our fiscally sponsored projects who have been successful at using our program to advance their art/cause/career. This month’s featured project is Such A Funny Life. Cover Photo by Gavin Whitner (https://musicoomph.com)

On Wednesday May 4th, Fractured Atlas fiscally sponsored artists hit an unprecedented milestone: collectively, they have raised over $100 million dollars since the program launched in 2002. These artists, groups, and organizations shared a belief that their work had value, and that their communities would not only welcome it, but also financially support it through fiscal sponsorship. And they were right: their patrons, fans, and institutional partners were right there with them, contributing the funds necessary to create and share their work.

source: Wikimedia Arts, Technology, and Business Stories to Watch by Fractured Atlas Every week, we find the most interesting and important stories at the intersection of the Arts, technology, and business and share them with you. (If you’d like to get these in your e-mail inbox you can subscribe to here). Check back every week for insightful and eye-opening stories that peaked our interest, and hopefully yours too. How Identity Politics Conquered the Art World. “Art in this era has veered dramatically toward an approach that hasn’t been seen in the West for more than 1,000 years: a concerted urge, almost a rage, to be totally communicative to the largest possible audiences […] in the same register, telling stories of social, political, and philosophical conditions. Of course, not everybody today is making this kind of work. But taken together, it does constitute a real aesthetic movement, one that is biographical, autobiographical, personal — the art of the first person.” OPINION: Art Museums Should Be Allowed toParticipate in Both Sides of the Free Market. But what if rules about deaccessioning were abandoned? What would happen? My guess is: nothing much. […] In the end, a free market in art would most likely produce a net increase in public welfare, just as free markets do in nearly every other area. Getting to Evidence-Based Policy: Three Perspectives. “We may all agree that we want to base our policies and programs on good evidence, but questions remain. What evidence is most useful and reliable? Which options are based on the strongest evidence? Do we have enough evidence to make confident decisions?” Vincent van Bot: The Robots Turning Their Hand to Art. “’We’re so early with the possibilities of robots and art, the sky is the limit,’ said the competition founder, Andrew Conru. ‘It’s refreshing to see technology in action.’” Canada Council Unveils Strategic Plan, Focusing on Indigenous Art Creation and Digital Technology. “The Canada Council for the Arts plans to create a separate granting stream for indigenous arts and artists and to use its programs and influence ‘to engender a new relationship between Canada’s indigenous and non-indigenous peoples.’” What Role Can Artists Play in Prison Reform? “The relationship between artists and their subjects has always been full of potential pitfalls, and in the midst of the presidential primary spectacle and a cultural environment in which trying to demonstrate social consciousness has become a kind of currency for mega-corporations and massive arts institutions alike, it can be tough not to feel the creep of cynicism. But this conversation surprised me.”

Our Robert W. Deutsch Arts & Technology Policy Fellow Courtney Duffy has the scoop on Arts Advocacy Day, which takes place in Washington, D.C. on March 7 and 8, 2016. You can follow her on Twitter @cduffy90 and track event goings on using #ArtsAdvocacyDay. It’s that time of year again: Arts Advocacy Day is upon us! Hundreds of arts advocates from across the country have descended upon the nation’s capital to speak with a unified voice and ask Congress to support funding, programs, and policies that enrich our nation’s arts community.

Dangerous Situation of Beagle by G. Gore. Image courtesy of Wikimedia Commons Anyone who happened to view our live stats this February may have noticed that our Insurance Program surpassed 15,000 bound policies. This is a huge leap from when the program began to offer property and casualty options in 2007. At the time, Fractured Atlas was in many ways steering into uncharted waters. While a handful of intrepid brokers and carriers were providing insurance programs, most options were tailored for established arts companies and organizations with substantial budgets. Even though artists needed insurance policies to fulfill contracts, pursue grants, and cover their own equipment and artwork, there wasn’t really an accessible insurance option for the broader artistic community.

Arts, Technology, and Business Stories To Watch by Fractured Atlas Every week, we find the most interesting and important stories at the intersection of the Arts, technology, and business and share them with you. (If you’d like to get these in your e-mail inbox you can subscribe to here).

A Fractured Atlas Guide to Coffee Preparation Illustrations by Jason Tseng Do something once and you’ve got a celebration, but do it twice and now you’ve got a tradition.