Michaela Ternasky-Holland is proudly multi-hyphenate in her interests and her career. She is a creative strategist, consultant, dancer, documentarian, public speaker, and storyteller. Currently, she is working with Mixed Asian Media Festival to present a wide-ranging collection of work made by and about mixed Asian creators.

Since 2012, MIPSTERZ has been a home for Muslim artists and creators. The initial group formed during Ramadan, realizing that if the different groups of Muslims breaking fast every day were grouped into cliques like a high school cafeteria, they didn’t quite fit in with the yuppies, the investment bankers, or anyone else. They belonged with each other and started to jokingly refer to themselves as the Muslim hipsters.

When news of Cecilia Giménez’s restoration of the “Ecce Homo” fresco became international news, most people saw a meme and got a quick laugh. The restoration has been called the Beast Jesus or Monkey Jesus and is one of the most notable failed restorations of our time. It spawned internet fame for Giménez and countless jokes and riffs. It also ended up bringing new tourist attention to Borja, the Spanish town where Giménez and her restored fresco lived.

Robbi Hall Kumalo resists easy description as an artist. She identifies as a creator, a healer, and an educator. She has a decades-long history as a performer for audiences of all ages, but primarily for audiences of young people. Her work combines song, dance, storytelling, poetry, and more. For years, she has toured to different cities, towns, and schools and performed for millions of people. She has worked as a solo artist and in collaboration with others.

Valeria Solomonoff is deep in the world of Argentine Tango. She co-choreographed “Evita” at New York City Center, received awards from ACE and HOLA for work like “Tango por Ellos,” “Tango Fever” and “Doña Flor y Sus Dos Maridos.” She performed for the President of Argentina, created the first all-woman tango company (Tango Mujer), and has taught at NYU Tisch, Hunter College, Smith College, and Mount Holyoke College.

2020 laid bare the ways that our current systems have been failing artists for a long time. It has also shown us new forms of collective organizing and power-building in the arts and among creative communities. We saw the limitations of individualistic, atomized approaches to succeeding or surviving in the arts, as well as the fragility of formal institutions like museums, galleries, and nonprofits. We have been inspired by artists coming together collectively, pooling resources and sharing information to help support the broader creative community. If we are building a better, more equitable arts sector in the coming year(s), we need to nourish that community.

BodyStories: Teresa Fellion Dance is a “contemporary dance company of women that capture and communicate universal human encounters through dynamic, purposeful movement.” Founded in 2011, BodyStories brings cultural arts activism into their work, using immersive techniques to empower audiences to engage in performance in new and innovative ways. They create work for their own live performances and teach classes to young, pre-professional, and professional dancers.

Since 2014, Wikitongues has worked to preserve languages at risk of extinction and to revitalize languages that are falling out of use and out of prominence all over the world. The team behind Wikitongues affirms linguistic sovereignty as our global cultural right.

When Sindy I. Castro and Madeline Calandrillo were studying Applied Theatre together, they got to see first-hand how affirming multilingual, participatory theatre was for the children they worked with. So, they started a theatre group to create more of that work. Based in New York City, Jugando N Play creates interactive, multilingual theatre experiences for young people. They want to use their work to help audiences imagine a better, more inclusive future and to bring joy to both their audiences and themselves.

Fractured Atlas exists in a unique place in the arts ecosystem. We work with artists and arts organizations, communicate frequently with colleagues across the arts, nonprofit and creative fields, and seek out other organizations who are experimenting with creating more equitable workplaces.