The Fractured Atlas team reviews well over 500 grants from fiscally sponsored projects every year. Whenever one of our fiscally sponsored projects uses us as a fiscal sponsor in a grant application, we review that grant application. We have a full grant review request procedure that our team uses to ensure that our fiscally sponsored projects submit strong grant applications when seeking funding.

Crowdfunding campaigns are time-limited, goal-oriented fundraisers where you seek donations from your personal network. They are great ways to get financial support for your work using small, individual donations that can add up to something much bigger. Crowdfunding campaign donations tend to come from within your expanded network–your friends, family, and community–rather than strangers.

Applying for grants as an artist can be challenging. It can be time consuming and hard. It can sometimes feel like you’re sending out applications into a void never to hear back from funders. If you are consistently not receiving funding that you’re applying for, you might not even know why.

It’s not easy for anyone to talk about money.

Whether you’re an individual artist or budding young arts collective, googling “artist grants” will only get you so far, friend. Most of us are aware that grants and other funding opportunities exist, but don’t know where to find them or how to cultivate a sustainable research routine. It takes quite a bit of open-minded foraging, disciplined hunting, and genuine community building to keep your application plate full of real, feasible opportunities, rather than expensive busy work. Like a grizzly bear posting up at a bend in the river in anticipation of salmon season, or filter-feeding barnacles that grab tasty stuff as it floats by, there are plenty of different tools and strategies to choose from when you’re developing your own, personal approach to discovering new funding opportunities.

As an artist, you need money to make your work. You might need money to pay someone to build your website, run lights for your play, or purchase the raw materials to make costumes.

Artists are fantastic multitaskers and project managers. Often, in the course of a single day, you might function as everything from a creator, to a curator, editor, manager, assistant, fundraiser, and gopher. Never mind going to the grocery store! So when it comes time to find people who will support your projects, it’s hard to find time to start. Thankfully, finding prospective donors to support your work isn’t as mystical as it seems. A little bit of research can go a long way!

When you fundraise, you’re asking for money from outside sources to realize your creative vision. As an artist, you’ll have to figure out how much it matters to you who those sources are. Who will you seek funding from and who isn’t a good fit? If the philanthropic arm of a corporation whose work you disagree with would be willing to fund your work, would you apply for a grant from them or accept money if it was offered? Would you take money from a company that you think harms your community? You don’t want to take money from somewhere that makes you so uncomfortable that you wouldn’t even want to use it, but also, you need money in order to make your work. There isn’t an easy answer, and there’s no such thing as purely ethical money under capitalism.

If you’re like me (and roughly 90% of US taxpayers), you claim the standard deduction when you file your income taxes each year. For those of us who don't have enough qualifying expenses (mortgage interest, property taxes, etc.) to itemize when we file, the standard deduction probably makes the most sense. Because of this, I am not able to deduct my charitable contributions, despite the fact that I donate to 501(c)(3) organizations.

If you’re reading this article, you’re probably one of the millions of artists who are trying to put together the pieces of not just your craft, but your life. The COVID-19 outbreak has forced us all to rethink our daily living routines and cope with the reality of deferred goals for the year. The arts community has been faced with the double challenge of re-focusing their efforts in how they share their work with their audience, in addition to likely losing other sources of income (especially for artists working in the service industry). For many, this means losing your venue, canceled rehearsals, interrupted travel arrangements, or little-to-no audience turnout.