Inciter Art
a writing, co-learning, and resource sharing space for an arts ecosystem with big ideas and bigger questions.
New Models | Nonprofit | Arts
By
Adam Huttler
June 29th, 2012
In our last episode, I responded to Michael Kaiser’s frustration with “new models” chatter. Well, this week he’s back with New Models, Part 2, and you knew I wasn’t going to just sit here (even if I am supposedly on vacation!) Kaiser once again criticizes the critics for a lack of specificity:
By
Adam Huttler
February 15th, 2012
Perhaps the hottest lingo in Silicon Valley these days is “big data”. Once upon a time, the only folks who needed to worry about massive, unstructured (or semi-structured) data sets were scientists running weather simulators or investment banks designing high-frequency trading strategies. Not anymore.
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By
Adam Huttler
January 18th, 2012
Last week I told you why Fractured Atlas is opposing SOPA and PIPA, a pair of bills in Congress that claim to protect the rights of artists but would be both ineffective at that goal and damaging to the technical fabric of the internet. We were the first major arts organization to take this stand, and we took some heat for it, but I believe we also moved the needle on our community’s understanding of these complicated issues.
By
Adam Huttler
June 28th, 2011
Yesterday, the US Supreme Court strongly affirmed that the first amendment’s free speech protections are broad and may not lightly be curtailed. The case at hand dealt with a California law that would have punished retailers for selling violent video games to minors. By declaring the law unconstitutional, the court struck an important blow against censorship, and we in the arts community should consider this an important victory.
By
Adam Huttler
February 1st, 2011
So Rocco really stepped in it. The NEA Chairman is under siege because he dared to suggest that perhaps there’s an oversupply of arts organizations relative to the (well-documented) dwindling demand. He’s not the first to bring this up, but it surprised a lot of folks that he used his bully pulpit to express an idea that many in the arts community find repugnant and misguided.