Artist Resources, Grants for Artists, Creative Projects, Making Money for Artists

In grant applications, Goldilocks identifies as an artist first, bear second. Most reviewers assume she’s not a serious artist, because they see the claws, smell the salmon breath, and make their hasty little conclusions. Between raising her fearless cubs and navigating the stressful effects of climate change on their ecosystem, it’s tough to find time for making art—let alone getting it funded. But 2024 is gonna be different, Goldilocks hums to herself. She’s not just looking for any ol’ grant, either. She wants to spend her limited time going for opportunities that she’s ready for, suited for, and genuinely excited about.

To some, making art and reviewing contracts are like oil and water—they don’t mix. In reality, many working artists will at some point engage in a binding agreement with another person or party for a gig, sale, commission, fiscal sponsorship, grant award, exhibition, or collab. But I suspect I’m not the only artist who feels like an imposter when I “review” my contracts. How can I possibly protect myself or my work, without legal training or expertise?

My first experience of pluralism took place on the second floor of the sunniest side of my elementary school building, in the Goose Room. The Goose Room (inside-the-box thinkers might call it an art classroom) was the quietest place in the entire school. While other teachers struggled to negotiate or enforce an appropriate volume level with groups of energetic young people, my art teacher floated from one quiet pod of students to another, asking as many questions as she answered. We learned that there were infinite ways to mix colors, and that mixing ideas, cultures, backgrounds worked the same way.

Many of us, myself included, were raised in a world where competing with the people around you is the norm—even when it leads us nowhere. Don’t get me wrong: I’m an incredibly competitive person at heart and have been forcibly removed from a number of casual board game groups. But when it comes to art, I believe that competition creates a false sense of scarcity among artists and keeps all of us hungry for the everyday magic of art.

Attention artists and arts organizations across New York State: the 2020 New York State Council on the Arts (NYSCA) application opened today! Before I share Fractured Atlas’s timeline, let’s go over some important details about the application process and eligibility: The application is made up of three major parts: 1) a Sponsored Request Form (SRF), 2) Consolidated Funding Application, and 3) supporting materials. Fractured Atlas must submit all documents on behalf of our fiscally-sponsored projects, so we appreciate you adhering to our internal timeline to give us time to review your materials thoroughly and submit them on your behalf. Due to the volume of requests we handle every year, Fractured Atlas fiscally-sponsored projects will only be permitted to submit one application (regardless of NSYCA’s two-request limit). If you applied in the Individual Artist category (IND) last year, you must sit out this year. Your grant application must be for activities that take place between January 1 — December 31, 2020.

photo credit: Gender/Power Composition IV, a MAP Fund recipient and Fractured Atlas member Calling all presenting artists and arts organizations! If you’re fiscally sponsored by Fractured Atlas and interested in applying for the MAP Fund, please continue reading for some important information about applying.