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By Fractured Atlas on June 21st, 2016

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CultureFlash: Necessity of Overhead, Starving Artists, Internet as a Utility (6/20/16)

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Arts, Technology, and Business Stories to Watch by Fractured Atlas

Every week, we find the most interesting and important stories at the intersection of the Arts, technology, and business and share them with you. (If you’d like to get these in your e-mail inbox you can subscribe to here).

Check back every week for insightful and eye-opening stories that peaked our interest, and hopefully yours too.

Demanding That Nonprofits Not Pay for Overhead is Preventing Them From Doing Good.

But a new report from Bridgespan, a consulting firm for nonprofits and philanthropists, says this is incredibly damaging. The result is a “starvation cycle” in which foundations are crippling the outfits they’re trying to support.

Who Can Afford to be a Starving Artist?

Those criteria should have little, if anything, to do with an artist’s family tax bracket. And yet we see troubling signs that socioeconomic status does correlate with access to a professional arts career. Logically, it makes sense: if an occupation is attractive but probably low-paying, and then there are socioeconomic inequalities in the road to becoming a professional, inevitably that line of work would beckon more people from affluent backgrounds.

Court Backs Rules Treating Internet as Utility, Not Luxury.

The court’s decision upheld the F.C.C. on the declaration of broadband as a utility, which was the most significant aspect of the rules. That has broad-reaching implications for web and telecommunications companies that have battled for nearly a decade over the need for regulation to ensure web users get full and equal access to all content online.

Coming This Summer to New York: Legalized Graffiti.

Every day the NYPD’s Vandal Squad chases taggers in the five boroughs, but this summer, New Yorkers will be invited to write and draw on the walls of defunct homes on Governor’s Island through the fourth edition of the Writing On It All project. The project, say organisers Alexandra Chasin and Zina Goodall, aims to make participants “feel empowered and authorised to write according to their own light.”

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